The Behringer Swing Is Not A Licensed Version Of The Keystep Design In any case, thank you, everyone who came out and supported us these past 36 hours! It’s been very helpful, very much appreciated.” So we could in a way consider the Swing as a compliment. Others do, we have no problem with that and see good for the customer, as well as for the industry, in fair competition.Ĭoco Chanel once said: “If you want to be original, be ready to be copied”. Of course we accept competition, and would absolutely understand that Behinger give their own interpretation of a small and smart controller that would also be a sequencer. Along our distributors we have been evangelizing this product, placing it in stores, explaining it, servicing it. We have invested time and money to imagine, specify, develop, test and market the KeyStep. We have worked hard to create the _Step range.
This product is in no way the result of a partnership between Arturia and Behringer. “We have been informed on Sunday November the 22nd of the upcoming release of a new product called Swing, by Behringer. The Behringer Swing Is Not A Collaboration With Arturia Arturia today shared their incredulous response to Behringer introducing a knockoff of the Keystep MIDI controller.Īrturia co-founder and CEO Frédéric Brun shared an official response via Facebook: Many musicians have criticized Behringer’s latest introduction, calling the Swing a ‘blatant knockoff’ of the Keystep and noting “Unless you are blind, it’s impossible not to see it’s the same thing!”īut some have suggested that the Swing might be the result of a collaboration between the two companies, or that Behringer might have licensed the Keystep design. The captured audio is then loaded into the Granulator automatically.Arturia today shared their response to the Behringer Swing, a minikey MIDI controller that appears to be closely based on the design of the Arturia Keystep MIDI controller. When the GranulatorInput device is on a track, any audio on that track can be captured in real-time by pressing Granulator's Grab button. Granulator comes with a companion device called GranulatorInput that enables live input functionality for the Granulator. In addition to controls that influence the playback of the grains, there are also a number of "classical" synthesis parameters such as an ADSR envelope, two multimode filters and an FM oscillator that can dramatically alter the overall timbre. The playback position within the soundfile is set with the FilePos knob and can be modulated randomly or via the built-in LFO. You can then adjust the length of the grains and the density of their overlap with the Grain control. To use the Granulator, drag a sample onto its waveform display. But when layered together, grains can produce lush textures with rich modulation possibilities. These pieces, or "grains," are usually under 50 milliseconds long and sound like short clicks when heard individually. Granular synthesis is a technique that involves dividing a sample into very short pieces, and then playing the pieces back superimposed and crossfaded with one another.
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